![]() ![]() For example, “40% native” for 59.94 clips in a 23.976 timeline. Now add this percentage number to the camera notes field. Divide that FPS number by your project frame rate. Go through each non-matching-FPS clip in your camera bins. Changing the speed to 40% will make the clip play back without dropping any frames. To avoid this issue, we can just change the speed to 40% - 23.976 / 59.94 =. If we edit this clip in a 23.976fps timeline, Resolve will throw out frames at an uneven cadence to achieve real-time playback by default. ![]() Keep in mind, it can be helpful to add those percentages to the camera notes field for quick reference, and to add the recorded frame rate (as we did earlier when changing the native frame rate in the Camera FPS field).įor example, imagine we have clips that are 59.94p natively. Logging non-matching frame rate files is less involved than changing the simply native frame rates, but can still deliver similar results.įor this method, you’ll need to change the speed of the clips once they’re edited to your timeline, which will ensure they play back smooth. This is extra important when it comes time for editing, and can be used to help smooth out playback issues. Logging MetadataĪs we’ve mentioned in previous sections, the first step to sorting out all this mixed frame rate business is to add and organize metadata. But, this method can turn into a big headache down the road. That said, most editors don’t worry about this and just edit mixed frame rates together without realizing it. ![]() By default, if you edit non-matching frame rate files to a timeline, your files will playback choppy. ![]() And in the commercial world, since many shots and sequences are sent out to other facilities or software, matching timecode is essential.īut, editing clips with different native frame rates is more tedious than simply conforming them all together with clip attributes. In my experience, this type of workflow is more common in the commercial post world, as leaving frame rates at their native frame rate preserves timecode consistency across the project and file(s). Welcome to part 3 of our series on editing mixed frame rate in DaVinci Resolve.Ī useful method for editing mixed frame rate material is to leave the source files at their native frame rates before you start cutting. ![]()
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